The Man Who Fell to Earth (1976)

A rather exasperating but extremely good-looking and artistic film, featuring a lithe, well-dusted pre-Berlin Bowie.

All the King's Men (US, 1949)

The corrupt politician tale is nothing new, but done here in a manner that still seems fresh even today. Quite original in tone, well produced, and with strong performances all round.

Beat the Devil (UK/US/IT, 1953)

Not a film noir, but rather a caper comedy of manners - seems John Houston was sending everyone up here.

The Big Knife (US, 1955)

A somewhat dated and overacted melodrama; the only hints of noir are some occasional camera angles.

Crossfire (US, 1947)

A Noir-ish to noir film noir with a very clear message.

The Place Beyond the Pines (US, 2012)

Echoes of Drive here; when the action 'suite' ends however, a serious, lengthy rumination on law and order, justice and privilege begins.