Dark Mirror (US, 1946)

A psychological film from the noir period, with a few instances of noir-inflected background photography, but not a real noir.

Black Angel (US, 1946)

Another lunchtime noir with Peter Lorre in it. How bad.

99 River Street (US, 1953)

A fairly representative noir, with its slightly imperfect plotting, and some notable nocturnal dockside photography.

Night and the City (UK, 1950)

A wiseguy American hustler muscles in on the wrestling underworld of London, but is soon out of his depth.

This Gun for Hire (US, 1942)

One of many Graham Greene cinema adaptations, this thriller is notable for its pristine noir photogrpahy and the performance of the lovely Veronica Lake - particularly the nightclub MC/chanteuse scenes.

The Locket (US, 1946)

Moderately interesting/curious psychological melodrama, original in choppy kind of way; only some camera angles faintly hint at noir.

Where the Sidewalk Ends (US, 1950)

This is another good noir, of the 'tough cop' variety this time.