The Enforcer (1951)

Fairly solid noirish piece in which Bogey tries to nail the boss of a contract hire firm.

The Stranger (US, 1946)

Noirish piece in which a holocaust architect living under an assumed identity in Massachussetts is pursued by the Allied War Crimes Tribunal.

The Set-Up (US, 1949)

Somewhat overrated boxing drama with some incidental noir photography towards the end.

Loft (NL, 2010)

Semi-stylish, semi-interesting thriller, but it's a bit too busy/clever, with too many twists, personnel and subplots, and overemphasis on what initially seems like incidental dialogue.

Inspecteur Lavardin (FR, 1986)

An unexceptional piece from Chabrol's sometimes sketchy mid period.

The East (US, 2013)

A twenty something PI infiltrates a radical ecologist group, with some unexpected results.

Before Midnight (US, 2013)

The latest installment in what's now Linklater's Jesse/Celine trilogy.

The Big Steal (US, 1949)

Light and enjoyable, there's little by way of noir photography in it, but the slightly madcap plot and witty dialogue are noir.